Showing posts with label Retail project. Show all posts
Showing posts with label Retail project. Show all posts
Friday, August 26, 2011
Tuesday, March 15, 2011
Truck
Wednesday, February 09, 2011
Inscrutable


For more context, you can relive the original "Sexy Pictures" in all its glory.
My retail tales are winding to an end! Only a few more to go and then soon enough you will be able to hold all of them, including some epic stories not published on the blog, in your hands, burned across the pulped remains of a dead tree!
Monday, January 24, 2011
Inhale to the Chief
Wednesday, December 22, 2010
Thursday, December 09, 2010
Thursday, October 21, 2010
Monday, September 13, 2010
Wednesday, August 18, 2010
Wednesday, August 11, 2010
Friday, August 06, 2010
Friday, July 30, 2010
Sunday, July 25, 2010
No One's Making You Buy 'Em
Thursday, July 22, 2010
Balloon Time
Tuesday, July 20, 2010
Monday, July 19, 2010
Haggle
Thursday, July 15, 2010
Paper Jam
Monday, July 12, 2010
Wednesday, July 07, 2010
Saturday, July 03, 2010
Sexy Pictures
So I'm working on a project right now making a lot of comics I wrote about a year ago, all about my time in customer service. Anyone who's worked retail knows you always walk away with some strange stories to tell- once I'm done, I'll have a whole comic's worth.
Here's the newest strip for it, "Sexy Pictures." It may be important at this point to reiterate these stories will all be real-life.

"Sexy Pictures" as a concept would return many times during my stint in that photo lab... be on the lookout for more comics about it.
I thought it would be interesting to show my process for this, so if you're curious how I frankenstein together things into a finished page of comics, this is for you!
First, the original sketch:

When I originally sketched these stories out, I was mostly concerned with getting the story and timing down, and wasn't thinking about format at all. This one had the perfect amount of panels to be refit, so that was no real challenge. The actual layout of the panels though was pretty rudimentary, and needed reworked- a lot. A lot of pencil lead and eraser was burnt through before ending up with these pencils:

I pencil best at a smallish size; the page above is about 7"x9.25". When it comes to inking though, I have to ink larger, or I just can't get the line quality I want. I am a pretty ham-handed individual, so I like to scan my pencils in and then ink on vellum over a blown-up print out of the pencils. Here's a peek at the raw inks (without frames) on vellum, complete with lots of ugly, uncorrected mistakes:

After that, I recompile the inks in Photoshop and adjust thresholds to get things crisp for coloring/printing; at that point we've got this:

Since this is intended for a self-published mini, I have to stick with black and white. I planned on using a very limited, two-limit value palette to get things feeling more solid, so I just popped open a layer and start playing around with the two values I want to use, trying to figure out where I want them to go. Here's what I had when that was done:

Satisfied with that color sketch, at that point it's just a matter of going back in and making the actual fields of flat color the way I want them, and then you've got the final piece at the top of the post.
Here's the newest strip for it, "Sexy Pictures." It may be important at this point to reiterate these stories will all be real-life.

"Sexy Pictures" as a concept would return many times during my stint in that photo lab... be on the lookout for more comics about it.
I thought it would be interesting to show my process for this, so if you're curious how I frankenstein together things into a finished page of comics, this is for you!
First, the original sketch:

When I originally sketched these stories out, I was mostly concerned with getting the story and timing down, and wasn't thinking about format at all. This one had the perfect amount of panels to be refit, so that was no real challenge. The actual layout of the panels though was pretty rudimentary, and needed reworked- a lot. A lot of pencil lead and eraser was burnt through before ending up with these pencils:

I pencil best at a smallish size; the page above is about 7"x9.25". When it comes to inking though, I have to ink larger, or I just can't get the line quality I want. I am a pretty ham-handed individual, so I like to scan my pencils in and then ink on vellum over a blown-up print out of the pencils. Here's a peek at the raw inks (without frames) on vellum, complete with lots of ugly, uncorrected mistakes:

After that, I recompile the inks in Photoshop and adjust thresholds to get things crisp for coloring/printing; at that point we've got this:

Since this is intended for a self-published mini, I have to stick with black and white. I planned on using a very limited, two-limit value palette to get things feeling more solid, so I just popped open a layer and start playing around with the two values I want to use, trying to figure out where I want them to go. Here's what I had when that was done:

Satisfied with that color sketch, at that point it's just a matter of going back in and making the actual fields of flat color the way I want them, and then you've got the final piece at the top of the post.
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